I love the idea of
fiction. I have so many storylines in my head that could be decent novels, but
when it comes down to putting them on paper, I have problems. I know exactly
how I want them to look in my head, but when I try to impart that image to my
readers, it starts looking like overly-detailed crap. As a reader, I hate books like that, and I don’t want to be the hypocrite who
makes her readers suffer through all that as well.
Several months ago I got an idea for a piece of fiction that
I actually followed through and wrote out, eventually submitting it as an
assignment for one of my literature classes. My prof asked us to write about
something that was important to us. At the time my university was experiencing
some interesting shifts without much openness between the administration and
students; and among the student body, grumbling and whispering were rampant.
Where truth is withheld, rumor fills the gaps, and there were plenty of viable
options flying around as we tried to make sense of the changes that had rocked
our school and, subsequently, our trust in the people running our university.
We are still in the process of changing some things, and many of us remain
frustrated and confused. Mu current position is one of apathy, where I remember
that I have one year left, where I choose to keep out of it and focus on
getting that diploma in the spring. But about six months ago, I was fed up,
confused, disappointed.
And so, as I usually do, I started writing. I was sitting at
my desk, watching snow fall into the courtyard outside my window. Earlier that
day I had walked up the iron steps of my dorm – the walk that always makes me
think I’m coming into Shawshank, especially in the winter. I was listening to
my “gray” playlist on Spotify and sorting out what I thought about my
university as a whole – not just during this difficult time, but overall.
This is the introduction to the piece that I submitted to my
professor.
In the past few months
I’ve seen that the school is, above all, run by human beings. Regardless of the
tagline and the mission statement and the rituals, it is managed, operated, and
steered by man. Which means that it is, in fact, flawed, simply because the
human leadership is flawed. The doctrine is shifted according to the beliefs of
those in charge, thus making it somewhat less than divine and more open to
criticism.
I have been learning
to do just that over the past three years: think critically about what I am
told and examine everything objectively. For example, much of my spiritual
growth has not come from chapel or our Bible courses, but from personal study,
discussion with friends, sitting under the trees on campus and watching my God
do His thing with each star that appears in the night sky. I’m not saying that
it’s not a good place, because I don’t think that personal relationship could
have been facilitated if not for some of the people that I’ve met here, whom I
wouldn’t have come in contact with if it hadn’t been for this place. But I don’t
think it’s been the fantastic haven for me that many others seem to find.
I feel out of place with
many of the students here. My cynicism toward organized religion often keeps me
from participating in chapels when I see a show, a performance, and I can’t
help but suspect hypocrisy (even though it may not be there, it may just be my
own judgment). I am brooding and bit melancholy by nature, and the overly-perky
people that seem so prevalent here make me feel awkward. I tend to seek out the
“gray” people with off-color humor and unconventional perspectives. Of all the
people on campus, they seem most authentic to me. Maybe this is why I get more
fidgety the longer I’m away from my job at home: I can’t wait to be around
people who wear their emotions on their sleeves, who are more open about how
they feel when it’s ugly.
At school the theatre
has given me such a haven. It is only during productions that I feel I have a
place on campus, somewhere that I fit. I am not a confident person. Most of the
time I feel awkward in my own skin with my appearance, my thoughts, my
emotions, my interactions with other people. If I have a choice between being
around a lot of people or being alone, I’ll sit in my room by myself and read.
I love to write – I have filled six journals in four years and have started
countless short stories since I was eight years old – but not many people know
it because I don’t share it unless it’s for an assignment. Some people ask, “But
why do you act if you’re so insecure?” I’m not myself when I’m on stage; it’s
my character you’re watching, not me.
This is primarily why
I chose to write my thoughts in a work of fiction; you can’t tell what is
really me and what is simply for the sake of the story. It is essentially my
opinion about the university and how I’ve discovered myself through an
unconventional place. Over the past year I have become a more confident person,
even though I am in an environment in which I feel very uncomfortable and not
always welcome. This is a parallel story of that process. It’s completely
different from what I originally intended, but I think it is more appropriate
to my life at the moment.
I don’t like this short story because of the way I wrote it:
like I said, I think that fiction writing is my weakest literary effort. But I
like what I’m saying through it. I love that I finally found a way to get
across what I think, how I feel, what I believe about the place that has taken
up the last three years of my life. I love that I was finally able to express
what my heart was feeling but my head couldn’t muddle through. It’s not pretty.
The emotions writhing in my heart when I wrote this were not happy ones, and
for those of you around whom I am more guarded, you will see the language and
the truth that I feel. But maybe for the first time, it is real. The barriers
are down, the filter is off. This is my story, my perspective, my heart as I
look at the university that has taught me critical thinking and to actively
seek out a place where I belong. My purpose is not to offend, and none of the
characters have human parallels, living or dead; much of the extreme is in
place only for the sake of the story. But the overall emotion is mine.
Since this entry has gone on forever, I won’t post any of it
today – I’ll prolly start that up tomorrow. And in a very Dickens fashion, I’ll
only put up a little at a time; after all, it is almost forty pages long. But I
hope that you read it. I hope that it shows you a side of me that maybe you
didn’t know or didn’t fully understand. And for some of you, I hope it is an
encouragement. It sounds cynical to say it about my own work, but it was a
major encouragement to me.
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